Saved Reviews for Mini DV
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Since the HDR-FX7 records video in high-definition, you can dual record still images at the same time. So no matter what the occasion, the HDR-FX7 is the perfect camcorder for the situation.
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It’s hard not to like Sony’s HDR-FX7, and only a few years ago we would have loved it. This is a camcorder that combines a solid suite of desirable features, accessible and well-tuned controls, and terrific bright-light video performance. Unfortunately for the FX7, the high-end “consumer� camcorder niche seems a threatened species. Based on price alone, Canon’s XH A1 and HDR-FX7 are competing for the same customer base – and the Canon matches or surpasses the Sony in nearly every category except weight. The FX7 is a likeable camcorder. Its images appear sharper and more colorful thanmost prosumer cams, including the XH A1. Its programmability also makes it a good option for low-budget studio shoots where camera syncing is not required. The FX7 is a good camcorder for applications like wedding and event videography, corporate production settings, and low-budget films where interlaced video is acceptable and strong low light performance is not required. For ENG and documentary field production, camcorders with better audio features, low light performance, and external manual controls like the Canon XH A1/G1 or Sony HVR-V1U are sounder choices.
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The FX7 handles quite well, is comfortable to hold and has easy-to-access controls. We're very pleased with the color and sharpness on an HD monitor. It performs well in low light situations, much like its predecessor, the VX2100. A drawback is that the onboard mic records decent stereo sound, but the option of plugging in a higher quality mic via XLR would be nice. The mini stereo mic input requires an adapter or mixer, which could introduce problems and interference. Anyone working in a professional production environment will find the Sony HDR-FX7 to be an affordable high-quality solution.
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I have taken many classes in which many different cameras have been used. This camera is by far the easiest for ameture videographers and has great features for those who are more trained in videography. A very sophisicated camera.
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This is an amazing piece of equipment. Get the large battery for better balance and OVER EIGHT hours of taping. Broadcast quality. You will rarely NEED to go off "auto" unless you have special needs or are in a totally controlled studio situation where you can control lighting and movement. Pricey but worth every penny. The HD is as good as Discovery HD Theater's, and the std. DV recording (due to the new chips) is better then other 3-chip cameras I have owned.
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The Sony Handycam HDR-FX7 is an excellent high-definition camcorder from a video perspective, but it's less satisfying if you're an audio control freak.
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As the figurehead in Sony's 2006 range of consumer DV camcorders, the single CCD DCR-HC96 provides a good entry point for a newcomer - or even upgrader - looking for very useable features combined with ergonomic handling and ease of use generally. Widescreen shooting produces highly commendable pictures when played back directly on a 28" CRT widescreen TV.
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Sony's DCR-HC96 Handycam performed well and provided impressive still-image quality. Nice features like a touch-screen LCD and an accessory shoe increase its attractiveness.
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If you're looking for a user-friendly MiniDV camcorder with excellent low-light performance, give Sony's DCR-HC96 serious consideration. This update of the DCR-HC90 sits atop Sony's MiniDV line. It retains its predecessor's optical suite, including the 1/3-inch CCD that delivers 2.05 effective megapixels for video and 3.05 effective megapixels for stills. The 10X optical/120X digital zoom works as smoothly and the autofocus as accurately as they did on the old DCR-HC90.
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The DCR-HC96 produces some great video, that much is undeniable, and the still features are an attractive bonus. If you want an easy to use camcorder with better picture quality than an entry-level model, the HC96 might be a good choice.
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